In the final Review Round-Up of 2022, we take a look at metal successes in recent EPs from The Last Ten Seconds Of Life and Circles, as well as Letters Sent Home’s new EP that falls drastically short of that.
In this Review Round-Up, a couple of highly-anticipated returns from Brutus and All Ears Avow produce expectedly great work, plus some very promising new emo from Jetski.
Press Club’s new album stands as their most definitive statement to date, redressing their place in punk with big swings and undeniable anthems.
After an already impressive debut, Ithaca top themselves in spectacular fashion, further embracing creativity and colour among a bruising hardcore base for one of the year’s most exciting releases.
A new singer hasn’t dulled Blood Command’s fire one bit, as they continue to plough through post-hardcore with some of the most electrifying, fun music around.
Petrol Girls reshape and galvanise their own forms of punk, making for not only a thrilling, biting listen, but also their best to date.
In this Review Round-Up, the return of Jake Bugg underwhelms, as do the newest from Grayscale and Jinjer, while more new music comes from Telethon, Gloo, Kat Von D, Chubby And The Gang, Sugar Horse, Indigo De Souza, Venues and Wilder..
In this Review Round-Up, deathcore dominates with new releases from Slaughter To Prevail and Lorna Shore, as well a big new album from Quicksand, and more from The Joy Formidable, Kississippi, GosT, Blacktop Mojo, Calva Louise and Wasted Death.
In this Review Round-Up, the returns of Chunk! No, Captain Chunk! and Against The Current lead strong albums from Lakes, The Five Hundred and VIAL, plus Paradise Now, Bicurious and Wall. Oh, and Attila are here too.
In the first edition of our new review series, there’s excellence from The Winter Passing, some rough patches for Dream Wife and Phoxjaw, and a slew of EPs from DITZ, Paper Mill and Lady Bird