Brigitte Calls Me Baby’s bid for success continues as they bring their New Romantic indie-rock to Manchester’s O2 Ritz.
Tighter, catchier and more arresting than could’ve ever been expected, Honey Revenge surpass themselves unequivocally for one of the pop-rock albums of the year.
As her UK tour arrives in Manchester, Ecca Vandal continues her crusade as one of the most distinct alternative artists around.
As part of their talked-about but undoubtedly huge 2026, GAEREA bring their blackened alt-metal to Manchester’s Club Academy.
Pale Waves’ return is underway, and to celebrate, they take to Manchester’s [UN.TITLED] Studio with a stacked bill of pop-rock and alt-pop.
A powerful showing from Evanescence in Manchester reinforces an alt-metal lineage that’s far from spent.
On an album grasping for hope, Emma Ruth Rundle explores gothic gloom and manages to pull out something beautiful.
In this Review Round-Up, both The Meffs and Midnight Swim prove likable enough, which is even a bar that Corella find troublesome.
Even outside of a certain questionable collaboration, Scene Queen’s whole bimbocore shtick is beginning to wear very thin indeed.