Elements of ‘The Killers go country’ aren’t nearly enough to overshadow the barnstorming creative vision that Brandon Flowers has for his newest solo album.
It has its moments, but Grandmas House’s brand of post-punk is too slight and dry on their new album to leave that much of an impression.
Jubilantly silly hardcore comprises the newest album from AWOLNATION’s Aaron Bruno and The Barbarians Of California, and it’s all the better for it.
With one of the most anticipated indie-rock debuts of the year, Westside Cowboy create a humble, layered and unquestionably gripping body of work with their new album.
Karen Dió’s new EP takes a couple of massive steps forward, not just widening her punk sensibilities but greatly increasing their impact.
Reading & Leeds Festival is right around the corner, so we’ve highlighted the best in rock and alternative music that you can expect to catch across the weekend.
With their roaring new album ‘Give Me Dirt’ finally out in the world, Cancer Bats arrive at Bristol’s Rough Trade to celebrate in expectedly raucous style.
An older, more refined, more Americana-inspired take on The Afghan Whigs’ sound makes for a late-period album with so much value.
In this Review Round-Up, Zebrahead round out their EP series with its best entry; Dead Tired put out some solid hardcore; and AXTY…are here too.
Although a little small and unable to go as far with its concept as it could, there’s still a good amount of likable, listenable character in Role Model’s latest foray into Americana.