Rain City Drive and Honey Revenge’s co-headline tour arrives in Manchester, where both acts’ differing styles come together through confidence and pop-ready exuberance.
In this Review Round-Up, a clutch of albums in and around indie-punk yields good work from Dream Nails and Remember Sports, and a bitter disappointment from congratulations.
Although Tailgunner do nothing to break away from classic heavy metal, they barely put a foot wrong all the same.
A hometown return to Manchester solidifies Westside Cowboy as the new indie name ready to dominate 2026.
The Molotovs are competent on their debut, yet saddled with an inauthenticity that even they don’t seem convinced of.
Jinjer’s role as figureheads of tech-metal goes unbothered as their latest UK tour arrives in Manchester.
Between a strong debut, a tight, fresh sound and a forward-thinking ethos around music’s social aspect, Only The Poets are primed to step to the forefront of indie-pop.
MØL’s hybrid of black-metal, post-metal and shoegaze continues to push and open its boundaries, with tremendously evocative results.
Trash Boat’s newest EP is marked by a quick, raw burst of some of British alt-rock and punk’s best.
With a breadth of creativity at the fore, Malena Zavala’s newest album is a beguiling, experimental dream-pop treat.