In the wake of immense tragedy, Mastodon emerge at their most candid and explorative, all while maintaining the standard of one of the finest metal bands in the world.
The decade-long wait for AFI’s UK return is brought to a close, and they’re on the form of their lives to do so.
Celebrating 25 years of ‘Bleed American’, Jimmy Eat World bring one of emo’s seminal modern works to Cardiff Castle.
Even in the 2010s heyday of scrubbed-clean, poppy post-hardcore, Colorblind’s debut full-length would’ve been the furthest thing from special.
Another stacked and diverse lineup descends upon Gothenburg for Way Out West 2026, featuring The xx, Lily Allen, The Hives, Geese and more.
Elements of ‘The Killers go country’ aren’t nearly enough to overshadow the barnstorming creative vision that Brandon Flowers has for his newest solo album.
It has its moments, but Grandmas House’s brand of post-punk is too slight and dry on their new album to leave that much of an impression.
Jubilantly silly hardcore comprises the newest album from AWOLNATION’s Aaron Bruno and The Barbarians Of California, and it’s all the better for it.
With one of the most anticipated indie-rock debuts of the year, Westside Cowboy create a humble, layered and unquestionably gripping body of work with their new album.
Karen Dió’s new EP takes a couple of massive steps forward, not just widening her punk sensibilities but greatly increasing their impact.