Post-Svalbard, Serena Cherry’s melodeath / black-metal album about Elden Ring is packed with real gems, almost surprisingly so.
Still going strong after almost 30 years, Death Cab For Cutie bring their catalogue of seminal emo and indie-rock to Bristol’s Prospect Building.
With a lot of heft and even more pyro, I Prevail’s metalcore assault makes its grand return to the UK in Manchester’s O2 Victoria Warehouse.
In this Review Round-Up, Split Dogs and Pain Of Truth deliver solid albums in their respective fields, while BRAT could use a little work in theirs.
On their debut album, The Klittens’ lo-fi approach to indie-rock and post-punk brims with a charm and creativity to get a good number of eyes on them.
Naff title aside, a vigorous hit of post-hardcore with plenty of panache makes for coldrain’s strongest outing in years.
Once promising up-and-comers in metalcore, anything that Banks Arcade had has been squandered with unbelievable speed.
Julia Jacklin’s new album serves as another great example of indie- and folk-rock songwriting at its most evocative.
With a vicious sound palette and thundering, forward-thinking attitude, Gurriers have all the makings of another Irish post-punk success story on their new album.
Holding Absence continue their journey forward with another vast, immersive and utterly arresting new album.