From a meeting of The Sleeping and Coheed And Cambria comes Held., who immediately make themselves known with a stunner of a post-hardcore debut.
Category: Reviews
They’re one of the most hyped bands around right now, and with a debut collection of incisive grunge cuts, Bleech 9:3 can already justify it.
The beginning of a new, nu-metal-inspired era for Dead Pony might not offer too much of a shake-up, but none of their fun and bravado have been lost on the way, either.
Liverpool Sound City feels bigger than ever in 2026, bringing huge sets from Kate Nash, Jalen Ngonda, Keo, Gurriers and Westside Cowboy, as well as plenty more in indie, rock, post-punk and more.
Inexplicably, The All-American Rejects’ first album in 14 years is a strong example of their era’s pop-rock updated and refreshed.
In this Review Round-Up, Haggard Cat reach a new peak while Red Vanilla make their way up to theirs, and The Flatliners remain solid exactly where they are.
Forget any intrigue that a fusion of alt-metal and R&B could produce; sace6 are so far removed from that, it’s borderline insulting.
Koyo’s intersection of pop-punk, emo and hardcore is taken to new heights, on what legitimately feels like a scene classic in the making.
After a long absence, Basement’s indie-rock reworking has quite a few nice ideas, but also just as many limitations that they struggle to work around.
Frozen Soul’s newest helping of ice-themed death metal is as simple, clean and largely unsurprising as ever, yet it only keeps getting better.