Bury Tomorrow show off both their consistency in metalcore and some fresher flourishes, for a new album that finally feels blessed with long-term strength.
Category: Albums
In this Review Round-Up, there’s a bumper selection of releases, spanning symphonic pop from Floor Jansen, genre-melding rap-rock from Codefendants, piano-driven prog-pop from Exploring Birdsong, and ragged Gen Z pop-rock from Lille Venn.
Armed with folk’s texture, punk’s ethics and black-metal’s intensity, Dawn Ray’d find ground to establish themselves among the most exciting names in metal.
At the cross-section of horror, majesty and boundless metal artfulness, Liturgy’s newest manages to strike one hell of a chord.
Loaded with difficult-to-parse decisions that weigh it down more than lift it up, Meg Myers’ newest alt-pop foray proves hard to find a lot of light in.
Invent Animate’s newest finds them handily topping an already impressive catalogue, and making a serious play for the coveted tech-metalcore crown.
In this Review Round-Up, Kamelot deliver some strong symphonic metal, The Answer return with an album of surprisingly solid throwback fare, and The Van Pelt make their long-awaited comeback within emo.
With radio-rock that leans a bit heavier and hooks that strike with more consistent force, Pop Evil’s newest is far from revolutionary but it’s still an improvement.
Gideon come forward with another album of their usual brutal, searing metalcore anthems, only this time it just might be their best yet.
After two albums of crappy, sour, unenjoyable pop, Theory Of A Deadman go back to what they do best—crappy, sour, unenjoyable radio-rock.