Keo’s sought-after debut is a straightforward rock affair, but with far more hits than misses and some significant ‘90s influence to keep it going.
Tag: Island Records
Elements of ‘The Killers go country’ aren’t nearly enough to overshadow the barnstorming creative vision that Brandon Flowers has for his newest solo album.
With one of the most anticipated indie-rock debuts of the year, Westside Cowboy create a humble, layered and unquestionably gripping body of work with their new album.
Even during what’s supposedly their most creative period to date, folk-rock banality continues to follow Mumford & Sons wherever they go.
In a field of genre-toying soloists that’s in desperate need of a prune, there’s at least enough about REDD. to warrant seeing what they can do.
With colour and creativity in abundance, and superstar potential on full display, Remi Wolf’s new album is an undisputed pop highlight of 2024.
In this Review Round-Up, there are disappointments from Red Fang, easy life and Kele, strong emo from Hot Mulligan and Latewaves, and more from Blackberry Smoke, Boss Keloid and Worm Shepherd.
In this Review Round-Up, high-profile letdowns from Corey Taylor, Bon Jovi and The Hunna are joined by heaviness from Venom Prison, DevilDriver and Bloodbather, as well as a variety of sounds from Brothers Osborne, Ooberfuse, Slow Pulp, Overrider and Pave The Jungle.
In this Review Round-Up, the entire gamut of quality is ran from great to outright terrible, by new albums from The Killers, The Front Bottoms, blackbear, Seether, Narrow Head, WACO, CLT DRP and Lucy Feliz
Five years after their last full-length, Disclosure’s third album finds them expanding their boundaries and sounding reinvigorated doing so.