In this Review Round-Up, good pop-rock from The Dollyrots and great tech-metal from The Hirsch Effekt are joined by some unfortunately disappointing alt-pop from Aiko.
In this Review Round-Up, the new DeathCollector album offers some great death metal, and Carsick bring some freshness to indie-rock. It’s just a shame that Throw The Fight’s hard rock and Keep This Up’s easycore can’t quite match up.
A combination of realised potential and a titanic swing at melodic post-hardcore yields what is easily As Everything Unfolds’ most proficient work to date.
In this Review Round-Up, there’s a bumper selection of releases, spanning symphonic pop from Floor Jansen, genre-melding rap-rock from Codefendants, piano-driven prog-pop from Exploring Birdsong, and ragged Gen Z pop-rock from Lille Venn.
In the final Review Round-Up of 2021, the return of Black Label Society and Like Pacific comes alongside the breakout full-length from Kid Bookie, and more from The Browning, No Bragging Rights, Kid Dad and Rising Insane.
In this Review Round-Up, the returns of Chunk! No, Captain Chunk! and Against The Current lead strong albums from Lakes, The Five Hundred and VIAL, plus Paradise Now, Bicurious and Wall. Oh, and Attila are here too.
In this Review Round-Up, a wide range of releases brings greatness from Gojira, Manchester Orchestra and Skarlett Riot, something terrible from Sumo Cyco, and plenty more from girl in red, The Mighty Mighty Bosstones, Ghost Iris, Diamante, Origami Angel, Cold Moon, Trucker Diablo and Cvlt Ov The Svn.
In this Review Round-Up, there’s quality from Citizen, Serj Tankian and ‘68, a covers album from A.A. Williams, more new music from Black Spiders, Exist Immortal, Sanguisugabogg, As Everything Unfolds, Gold Baby and Play Dead.
In this Review Round-Up, Biffy Clyro lead a crop dominated by indie and synthpop from Sea Girls, Erasure, James Dean Bradfield, Marsicans and Stephen, and filled out by Blues Pills, Kill The Lights, Kid Dad, Be Well, idle threat, Glass Ocean and The Vigil