Not only is Sleeping With Sirens’ newest an interesting diversion into more robust emo and post-hardcore, it’s their most encouraging album in absolutely ages.
Tag: Luke Nuttall
Guilt Trip’s new album is another solid offering of hardcore from them, and nowhere near as special as it probably thinks it is.
Though far from their most extravagant listen, Death Cab For Cutie’s newest still excels in honest, ruminatory and exploratory indie-rock.
Even on a loose, shambling collection of offcuts from previous sessions, BIG SPECIAL are so inherently creative and compelling that they still manage to net an overall win.
A mild, reflective piece of emo and indie-rock takes what always defined Seahaven and makes it the best it’s ever been.
Vicious, charged and operating entirely as its own thing, Static Dress’ new album continues their reign as one of current post-hardcore’s absolute best.
Back for its 20th year, Slam Dunk Festival proves as huge as ever, as Good Charlotte headline alongside sets from Knocked Loose, Tonight Alive, State Champs, Sublime, Motion City Soundtrack, The Menzingers and more.
For as transitional as Saint Agnes’ new album feels, it still provides some good signs that they’re capable of breaking away from the edgy alt-rock pack into something more their own.
As indisputable as passion projects come, Devin Townsend’s newest sees prog-metal’s truest modern maverick at his most ambitious and extravagant.
After eight years, Marmozets return all guns blazing, looking to brute-force their way back to the top of alt-rock’s hierarchy…for better and for worse.
