Small in scale but anything but in its breadth, Léa Sen’s debut stakes its claim for experimental pop greatness.
Tag: Partisan Records
The expected slow-burn of Fazerdaze’s new album ultimately arrives at an arresting collection of dreamlike indie-pop.
On an insane ride through dance-punk cranked up to its (il)logical extreme, Lip Critic deliver a baffling, unfeasibly fun new album.
Harshness, discord and industrial coldness characterises IDLES’ newest album, as their search for humanity within leads to what might be their most fascinating work yet.
Far removed from his work in Fontaines D.C., Grian Chatten’s solo debut steps into lucid, free-roaming indie-rock that’s all his own.
Adding to the ever-growing cache of weirdo indie-rock and post-punk is Geese’s new album, which might just be good enough to rise fairly close to the top.
In this Review Round-Up, a collection of EPs are headed off by a lacklustre outing from The Lunar Year, and filled out by promising singer-songwriters Donkey Kid and Léa Sen.
In this Review Round-Up, another quick follow-up from Idles is joined by a new album from Volumes and the return of Maybeshewill, as well as Bears In Trees, Breichiau Hir and NYT LIV.
In this Review Round-Up, the return of Jake Bugg underwhelms, as do the newest from Grayscale and Jinjer, while more new music comes from Telethon, Gloo, Kat Von D, Chubby And The Gang, Sugar Horse, Indigo De Souza, Venues and Wilder..
In this Review Round-Up, excellent new albums from Touché Amoré and Svalbard stand out against big releases from Idles, Joji, Amaranthe, Elder Brother and especially The Neighbourhood, while The Jaded Hearts Club and snake eyes make their debuts.