As at home in arenas as ever, Alter Bridge arrive in Manchester packing some of the most soaring, refined hard rock around.
Tag: post grunge
In this Review Round-Up, Unprocessed and The Maple State both impress in their own ways, while Finger Eleven seem all the emptier by comparison.
Returning with a new dual-frontman dynamic, Three Days Grace find themselves more charged than they’ve been in a long time.
In this Review Round-Up, straight-up rock has a surprisingly good showing thanks to The Warning and Amongst Liars, while further strong representation comes in indie-punk from Honey Joy, and progressive post-hardcore from Vower.
There’s a lot of bloat and lack of definition to contend with on Marisa And The Moths’ new album, though thankfully a powerhouse vocal performance is almost enough to completely justify its existence.
In this Review Round-Up, the risers indelibly head things up with strong new statements from SNAYX and The Chisel, against a solid yet uneven new one from My Life Story, and Takida’s latest that’s just plain dull.
After two albums of crappy, sour, unenjoyable pop, Theory Of A Deadman go back to what they do best—crappy, sour, unenjoyable radio-rock.
As an album that’s not only still tied to the dregs of butt-rock tropes, but also pulls them off so poorly, Redlight King’s newest is anything but full-blooded.
Nickelback are back! And they’re pretty much the same as they’ve always been, for better and for worse.
In this Review Round-Up, Bush return with a significant jump in quality, while plenty of diverse, explorative sounds come from Charlotte Wessels and My Kid Brother.