Keo’s sought-after debut is a straightforward rock affair, but with far more hits than misses and some significant ‘90s influence to keep it going.
Tag: post grunge
Download Festival 2026 gets off to a flying start with Limp Bizkit headlining, plus appearances from Electric Callboy, Halestorm, Cypress Hill, Scene Queen, Daughtry and more.
As at home in arenas as ever, Alter Bridge arrive in Manchester packing some of the most soaring, refined hard rock around.
In this Review Round-Up, Unprocessed and The Maple State both impress in their own ways, while Finger Eleven seem all the emptier by comparison.
Returning with a new dual-frontman dynamic, Three Days Grace find themselves more charged than they’ve been in a long time.
In this Review Round-Up, straight-up rock has a surprisingly good showing thanks to The Warning and Amongst Liars, while further strong representation comes in indie-punk from Honey Joy, and progressive post-hardcore from Vower.
There’s a lot of bloat and lack of definition to contend with on Marisa And The Moths’ new album, though thankfully a powerhouse vocal performance is almost enough to completely justify its existence.
In this Review Round-Up, the risers indelibly head things up with strong new statements from SNAYX and The Chisel, against a solid yet uneven new one from My Life Story, and Takida’s latest that’s just plain dull.
After two albums of crappy, sour, unenjoyable pop, Theory Of A Deadman go back to what they do best—crappy, sour, unenjoyable radio-rock.
As an album that’s not only still tied to the dregs of butt-rock tropes, but also pulls them off so poorly, Redlight King’s newest is anything but full-blooded.