Stand Atlantic extend the sharp, hyper-modern pop-rock that coloured their last album, this time reaching more interesting avenues and developing their strongest voice yet.
Author: thesoundboardreviews
It might be just another Simple Plan album, but their newest remains as bright and punchy as the pop-punk veterans have always been, even if they still aren’t showing much in the way of progress or growth.
Take a look at what we’ve been listening to throughout April, ft. Motion City Soundtrack, Coldplay, The Used, P!nk, Fickle Friends and—for some reason—Cute Is What We Aim For.
Drawing from a love of black-metal, his work in Trivium and his Japanese heritage, Matt Heafy’s new solo project delivers an expansive, powerful and enrapturing listen from front to back.
In this Review Round-Up, there’s a stacked lineup of impressive releases from The Amsterdam Red Light District, Bodysnatcher and GILT. Meanwhile, Fozzy just do their usual thing.
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A good few years of maturation and rejuvenation culminate on Silverstein’s newest album, bringing their post-hardcore into the modern day with the most energy they’ve given off in a long time.
Unwilling to move from their stock, stale sound for yet another post-grunge slog, Three Days Grace’s newest album is anything but explosive.
After many months of intense hype, Heriot finally drop their long-awaited EP, and it’s as definitive as statements come for them being the single most exciting new band in heavy music.
In this Review Round-Up, a variety of sounds come from new EPs from James And The Cold Gun, Guerrilla Warfare and Squiggles, with Dälek at the helm to reaffirm their long-running status with another strong album.