Loathe’s long-awaited new album is a difficult and occasionally frustrating listen, but one that gets more brilliant with each additional spin.
Category: Albums
On an album fuelled by genuine tragedy and allowed to soar as much as demolish, Boundaries once again feel among the upper echelons of modern metalcore.
Although Motionless In White’s industrialised metalcore has undergone little in the way of enhancement, it still yields a supremely fun time.
In trying to rejuvenate their pop-rock sound of old, As It Is’ efforts run between some pretty good cuts, and a tepidity that they’re miles past by now.
In this Review Round-Up, DevilDriver are back to their old tricks once again, but fortunately, there’s a much better selection in dark-pop from Au/Ra, hardcore from No Cure, and groove-metal from Red Method.
In changing course and going back to the earnest Britrock that saw them excel in the first place, The Xcerts’ new album is the most undeniable return to form there is.
The Pretty Reckless continue to stand a head taller than most in the retro-rock space, though their new album carries just as many limitations as it does strengths.
Away from the horrors of Couch Slut, Amy Rose Mills crafts a stark, striking, unflinchingly experimental solo album.
On their debut full-length, Exploring Birdsong take their graceful, progressive piano-pop further than ever before.