Good Charlotte return to simultaneously move forward and get in touch with their pop-punk roots, and the results are exactly as threadbare as you’d expect.
Tag: Atlantic Records
Within a refined and introspective pop-rock package, The Band CAMINO hit some of their greatest heights to date on their new album.
Kaleo’s indie-, blues- and folk-rock is still among the strongest from its scene, but the feeling that they still could be better has never been clearer than it is right now.
Paramore’s newest return sees them retooling and setting their sights on post-punk, though in their efforts, a few critical dots remain unconnected.
Some of the usual complaints may still apply, but Weezer’s second album of 2021 hits enough sweet spots to be their best album in years.
Hayley Williams’ stripped-back prequel album shows an artist whose artistic growth and creative freedom is starting to take shape in a great way.
Weezer’s latest wacky decision finds them self-cannibalising more than ever, without much of a reason or payoff from doing so.
In this Review Round-Up, Bitch Falcon, Redwood and Uncut shine among returns from Black Stone Cherry and Puscifer, Wallows’ quarantine EP and new releases from Johnny Lloyd and Pteroglyph.
In this Review Round-Up, there’s plenty going on as Protomartyr deliver excellence among big new releases from Bush, Broadside, The Aces and The Acacia Strain, as well as Courtney Marie Andrews, Calva Louise, Häxan, and the breakthrough of Oliver Tree