An older, more refined, more Americana-inspired take on The Afghan Whigs’ sound makes for a late-period album with so much value.
Tag: BMG
Finally untethered and with creative energy to burn, Waterparks’ newest is the best they’ve put out in a long while.
Once again, the shadow of 5 Seconds Of Summer is no burden for Ashton Irwin, now flexing his classic rock muscles in a varied and vivid manner.
In this Review Round-Up, Frozen Soul make their solid next impact on death metal, though there’s arguably more intrigue and complexity to be found in new albums from Esben And The Witch and Bad//Dreems.
Nickelback are back! And they’re pretty much the same as they’ve always been, for better and for worse.
In this Review Round-Up, Bush return with a significant jump in quality, while plenty of diverse, explorative sounds come from Charlotte Wessels and My Kid Brother.
The second wind of Pixies continues, as they add older, dustier Americana to their alt-rock, and remain intriguing even without some of their old weirdness.
Classic rock revivalism once again proves unfortunately barren for Monster Truck, this time skewing a bit heavier but holding the same dearth of ideas or identity.
Infrequently different from the standards they’ve set themselves, Dune Rats’ newest album finds itself struggling between garage-rock fun and a single idea stretched way beyond its means.
Despite still not wowing in the overall ranks of pop-rock, The Faim’s new album at least feels like a step towards a more coherent vision and stronger, catchier songcraft.