In this Review Round-Up, a variety of metal brings marginally-better-than-average metalcore from GHØSTKID and AVRALIZE; middling symphonic-metal from Leaves’ Eyes; and a great slab of grimness from Mastiff.
Tag: Century Media Records
From Eurovision finalists to nu-metal faces in the crowd, Blind Channel’s new album struggles to muster up anything worth getting invested in.
In this Review Round-Up, Slope easily rise to the top of the pile with daring, forward-thinking relentlessly kinetic new album. Meanwhile, Levels and Same Side’s new ones are anything but, but at least the latter has some charm.
In this Review Round-Up, Frozen Soul make their solid next impact on death metal, though there’s arguably more intrigue and complexity to be found in new albums from Esben And The Witch and Bad//Dreems.
In this Review Round-Up, standout returns come from Grave Pleasures and Black Orchid Empire, alongside some steps towards reinvention from Picturesque, and a total dud from Through Fire.
Being a rather no-frills experience is no kind of hindrance for Jesus Piece, who are able to shine solely on hardcore’s propensity for viciousness and bludgeoning.
Still trapped in the shadow of their maligned self-titled effort, and even with streaks of classic death metal among their deathcore, Suicide Silence still feel as though they’re holding back.
In this Review Round-Up, we catch up with some recent metal albums from Delain and Distant, both of which handily surpass the new one from Knuckle.
As overblown, blistering and gory as ever, Sanguisugabogg’s newest album pulls out all the stops for an NSFW death metal delight.
Arriving with one of 2022’s most anticipated metal releases, Lorna Shore’s take deathcore to bold, bleak, cinematic new places, and live up to every bit of their hype.