More masked alt-metal. Yawn.
Tag: Fearless Records
After a couple of middling albums, Movements are back on form, returning to emo that’s tried-and-true but still among their greatest strengths.
The Pretty Reckless continue to stand a head taller than most in the retro-rock space, though their new album carries just as many limitations as it does strengths.
After a contentious previous album, Wage War somehow look to get back on track with another helping of featureless metalcore gruel.
As they continue to get bigger and more daring, the original personality that made Don Broco so entertaining gets whittled away.
In this Review Round-Up, there’s a host of flawed but solid albums, spanning a beatdown from Varials; an exercise in alt-metal opulence from Lost Society; and an indie-rock overreach from snake eyes.
Opting for a more classic approach than most current-gen pop-punk, the results that Taylor Acorn gets are significantly better.
It’s big; it’s ponderous; it’s far less prescient or profound than it thinks it is—it’s another Starset album, alright!
Diversification proves to be the greatest strength of DE’WAYNE’s new album, as it ends up as his most fun, enjoyable work by a frankly ludicrous margin.