In this Review Round-Up, recent EPs from Calling All Captains and Revoid are respectively mixed and mighty, while Mister Misery’s new album falls firmly in the middle.
Tag: hard rock
Once again, the shadow of 5 Seconds Of Summer is no burden for Ashton Irwin, now flexing his classic rock muscles in a varied and vivid manner.
As Highly Suspect drag themselves out of past mediocrities and back to equilibrium, they bring out the punch and classic rock ethos that made them so enticing in the first place.
In this Review Round-Up, straight-up rock has a surprisingly good showing thanks to The Warning and Amongst Liars, while further strong representation comes in indie-punk from Honey Joy, and progressive post-hardcore from Vower.
Another solid Nothing More album continues to make it likely that they’re one of the only acts in radio-rock to consistently deliver more than the baseline.
For the start of a supposedly grand return to form, Black Veil Brides’ new EP produces precious little to get all that invested in.
In this Review Round-Up, albums from Lowlives and Gaffa Tape Sandy are definitely good, but The Yacht Club’s new EP manages to sneak past both as a bit of a stunner.
Bring Me The Horizon’s standing as modern metal’s kingpins is going nowhere off the back of this new album, where even a few more obvious fumbles are thrown aside by the undeniability of it all.
There’s a lot of bloat and lack of definition to contend with on Marisa And The Moths’ new album, though thankfully a powerhouse vocal performance is almost enough to completely justify its existence.
In this Review Round-Up, a just-alright offering from Royal Tusk may be up front, but there’s still good stuff to be found in punk from Noah And The Loners, emo from Big Hug, and folk-metal from Hand Of Kalliach.