A mild, reflective piece of emo and indie-rock takes what always defined Seahaven and makes it the best it’s ever been.
Tag: Pure Noise Records
In this Review Round-Up, Super Sometimes’ pop-punk proves routinely solid, while new albums from CQ Wrestling and Dan Byrne are more notable in their limitations.
Koyo’s intersection of pop-punk, emo and hardcore is taken to new heights, on what legitimately feels like a scene classic in the making.
The Amity Affliction’s new album is just okay, but for them, that’s huge praise indeed.
Awash with urgency and a forward-thinking thrust, Shoreline’s new album confidently stakes their claim for being among emo’s most promising risers.
For the pleasant yet middle-of-the-road pop-punk on offer, calling Alex Melton’s move from covers to original music a ‘leap’ might be too generous.
In a year full of tremendous emo albums, Ben Quad’s newest takes a late swing to stand among the best of them.
In this Review Round-Up, Conjurer soar from self-discovery; Heavensgate test the waters on their breakthrough; and PENGSHUi…just kinda stay where they’ve always been.
In this Review Round-Up, Nevertel and Colorblind have their new releases largely fall flat, but thankfully, there’s more than enough strength to make up for it on Spite House’s new album.
Belmont successfully manage to distill their progressive pop-punk into a tight EP that’s just as effective as ever.