The effort to improve and diversify themselves within metalcore handily overshadows some of the clumsiness on 156/Silence’s new album.
Tag: Pure Noise Records
A mild, reflective piece of emo and indie-rock takes what always defined Seahaven and makes it the best it’s ever been.
In this Review Round-Up, Super Sometimes’ pop-punk proves routinely solid, while new albums from CQ Wrestling and Dan Byrne are more notable in their limitations.
Koyo’s intersection of pop-punk, emo and hardcore is taken to new heights, on what legitimately feels like a scene classic in the making.
The Amity Affliction’s new album is just okay, but for them, that’s huge praise indeed.
Awash with urgency and a forward-thinking thrust, Shoreline’s new album confidently stakes their claim for being among emo’s most promising risers.
For the pleasant yet middle-of-the-road pop-punk on offer, calling Alex Melton’s move from covers to original music a ‘leap’ might be too generous.
In a year full of tremendous emo albums, Ben Quad’s newest takes a late swing to stand among the best of them.
In this Review Round-Up, Conjurer soar from self-discovery; Heavensgate test the waters on their breakthrough; and PENGSHUi…just kinda stay where they’ve always been.
In this Review Round-Up, Nevertel and Colorblind have their new releases largely fall flat, but thankfully, there’s more than enough strength to make up for it on Spite House’s new album.