In this Review Round-Up, Dayseeker offer up some great metalcore on their newest album, alongside some promising alt-punk from Sunliner, and a generally middling effort from BRKN LOVE.
Tag: Spinefarm Records
As their profile continues to rise, Kid Kapichi have lost none of their sharpness or Brit-punk savvy on their second album.
In this Review Round-Up, there’s a much-improved shake-up from Unprocessed and some engaging new alt-rock from WAAX, filled in by Heart Of Gold’s expected fare.
With their continually growing star, Stone Broken’s hard rock becomes more impactful and overall better on their new album, though still very much tied down to its scene.
Even when taking steps towards more radio-ready fare, Billy Talent are still able to pull out all the stops to craft one of the most accessible, easy-to-love punk albums that’ll be released this year.
In the first Review Round-Up of 2022 (and in its new slimmed-down form), Enterprise Earth drop the year’s first great metal album, while Blood Red Shoes and Party Cannon struggle to stick, and VRSTY make some noteworthy improvements on their debut full-length.
In the final Review Round-Up of 2021, the return of Black Label Society and Like Pacific comes alongside the breakout full-length from Kid Bookie, and more from The Browning, No Bragging Rights, Kid Dad and Rising Insane.
In this Review Round-Up, MØL, Boston Manor and SeeYouSpaceCowboy bring great work that offsets Black Veil Brides and Bad Wolves, while more new music comes from Emma Ruth Rundle, Diablo Swing Orchestra and Greer.
Bullet For My Valentine’s self-titled album finds them pull back into equilibrium in a return to their usual sound, for better and for worse.
In this Review Round-Up, big new albums from Poppy and Sleep Token are outshined by Badflower and Dying Wish, while more new music comes from Wage War, Tremonti, They Fell From The Sky, Frauds, Cherym, Goodbye Honolulu and Cherie Amour.