Through its noise-punk collage, PISS’ debut examines a culture of violence against women in harrowing, unfiltered, totally transfixing fashion.
Tag: Album review
Against all odds, and by virtue of showing more effort and investment than customary, Windwaker have followed the modern metalcore playbook and emerged with a genuinely good album.
In this Review Round-Up, punk and metalcore each deliver a pair of strong releases—Fake Names and Niis for the former; Gore. and VRSTY for the latter.
Rooted in historical bleakness and some of the most bludgeoning metalcore possible, Half Me’s newest is a satisfyingly savage listen.
The ascent to indie godhood yields its missteps, but ultimately, Fontaines D.C.’s newest album manages to impress all the same.
On their new album, Stand Atlantic break out of eras’ worth of chaos, finding emotional contentment back in pop-rock. Shame they couldn’t do a bit more with it.
In this Review Round-Up, Eivør’s newest leaves a lot to be desired, while, fortunately, things go much better for fish narc and FELDSPAR.
Even by the ephemeral standards of regional indie music, The Lilacs’ debut is unabashed musical emptiness.
Although Dylan John Thomas makes a vested effort to expand into the wider folk world, the shortcomings of his sophomore album become all the clearer for it.
Now affixing their gothic balladry with glossy, classic pop, the appeal of Twin Temple is no deeper, but it’s still present enough.