In this Review Round-Up, a wide range of releases brings greatness from Gojira, Manchester Orchestra and Skarlett Riot, something terrible from Sumo Cyco, and plenty more from girl in red, The Mighty Mighty Bosstones, Ghost Iris, Diamante, Origami Angel, Cold Moon, Trucker Diablo and Cvlt Ov The Svn.
Even after broadening and expanding their sound, Royal Blood’s third album still sees their limitations placed right at the forefront.
In this Review Round-Up, Dropkick Murphys and Evile return with more of the same, while Tilian and Lilith Czar do very little, and more new music comes from Kaleo, Tetrarch, The Pale White, Baby Strange, Knomad Spock, Last Hyena and Action/Adventure.
In this Review Round-Up, a mixed bag of big albums from Greta Van Fleet, Escape The Fate, London Grammar and The Armed leads up releases from RedHook, Waxflower, Mister Misery, Body Void, Them Bloody Kids and Timid Kooky.
In this Review Round-Up, Cannibal Corpse deliver the reliable norm in front of Chapel, Anna’s Anchor and Årabrot, alongside new releases from Hail The Sun, Harker, Havelocke, Out Of Love, Crown and Low Island.
On their sophomore album, Holding Absence finally fall into the excellence that’s been promised of them for so long.
Trying to bounce back after nearly a decade results in The Offspring making a deeply messy and unsatisfying tenth album.
In this Review Round-Up, big returns for While She Sleeps and Devil Sold His Soul join an impressive new album from Stepson and an underwhelming debut from The Snuts, alongside Purgatory, Skegss, The Limit, Muttering and Wasted Death.
In this Review Round-Up, Death From Above 1979, Wode and ĠENN offer a lot to like while Evanescence and 24kGolden bring significantly less, joined by new releases from GHLOW, Hey, King! and Borstal.
AJR’s newest album ends up being a step in the right direction that’s bigger than they’ve previously indicated they’re capable of.