In this Review Round-Up, a mixed bag from Gary Numan, St. Vincent and Myles Kennedy leads great albums from Vexed, Kaonashi and Osiah, plus Mannequin Pussy, Tokky Horror, Jess And The Ancient Ones, Fiddlehead and One Morning Left.
In this Review Round-Up, sequel EPs from The Devil Wears Prada and Salem and a split from SeeYouSpaceCowboy and If I Die First rise above underwhelming albums from Rag’n’Bone Man and Pop Evil, plus new albums from Iceage, Belvedere, Throat, Fightmilk, Never Loved and Bala.
Some of the usual complaints may still apply, but Weezer’s second album of 2021 hits enough sweet spots to be their best album in years.
In this Review Round-Up, a wide range of releases brings greatness from Gojira, Manchester Orchestra and Skarlett Riot, something terrible from Sumo Cyco, and plenty more from girl in red, The Mighty Mighty Bosstones, Ghost Iris, Diamante, Origami Angel, Cold Moon, Trucker Diablo and Cvlt Ov The Svn.
Even after broadening and expanding their sound, Royal Blood’s third album still sees their limitations placed right at the forefront.
In this Review Round-Up, Dropkick Murphys and Evile return with more of the same, while Tilian and Lilith Czar do very little, and more new music comes from Kaleo, Tetrarch, The Pale White, Baby Strange, Knomad Spock, Last Hyena and Action/Adventure.
In this Review Round-Up, a mixed bag of big albums from Greta Van Fleet, Escape The Fate, London Grammar and The Armed leads up releases from RedHook, Waxflower, Mister Misery, Body Void, Them Bloody Kids and Timid Kooky.
In this Review Round-Up, Cannibal Corpse deliver the reliable norm in front of Chapel, Anna’s Anchor and Årabrot, alongside new releases from Hail The Sun, Harker, Havelocke, Out Of Love, Crown and Low Island.
On their sophomore album, Holding Absence finally fall into the excellence that’s been promised of them for so long.
Trying to bounce back after nearly a decade results in The Offspring making a deeply messy and unsatisfying tenth album.