Vicious, charged and operating entirely as its own thing, Static Dress’ new album continues their reign as one of current post-hardcore’s absolute best.
Tag: Album review
For as transitional as Saint Agnes’ new album feels, it still provides some good signs that they’re capable of breaking away from the edgy alt-rock pack into something more their own.
As indisputable as passion projects come, Devin Townsend’s newest sees prog-metal’s truest modern maverick at his most ambitious and extravagant.
After eight years, Marmozets return all guns blazing, looking to brute-force their way back to the top of alt-rock’s hierarchy…for better and for worse.
They’re showing their age a bit, but A’s comeback after more than two decades is a surprisingly earnest, entertaining pop-rock package.
Dark Divine can do horror-slanted metalcore competently on their new album, but there’s nowhere near the imagination necessary to even think about getting further than that.
In this Review Round-Up, Super Sometimes’ pop-punk proves routinely solid, while new albums from CQ Wrestling and Dan Byrne are more notable in their limitations.
From a meeting of The Sleeping and Coheed And Cambria comes Held., who immediately make themselves known with a stunner of a post-hardcore debut.
Inexplicably, The All-American Rejects’ first album in 14 years is a strong example of their era’s pop-rock updated and refreshed.
In this Review Round-Up, Haggard Cat reach a new peak while Red Vanilla make their way up to theirs, and The Flatliners remain solid exactly where they are.
