In this Review Round-Up, Clean Cut Kid and Young Culture prove decent (but little more) in indie-folk and pop-rock respectively, while Pryti’s new album struggles to catch much fire.
Pulled Apart By Horses’ newest album winds up as their most stripped-back and straight-laced to date, but as a result feels very limited in exactly what it can achieve.
In this Review Round-Up, there’s a host of new albums falling into greatness within emo and indie, from Armor For Sleep, Snow Coats and Dear Seattle.
cheerbleederz’ debut full-length serves to build on their DIY indie-rock approach, all while remaining just as delightfully likable as always.
In this Review Round-Up, a variety of sounds come from new EPs from James And The Cold Gun, Guerrilla Warfare and Squiggles, with Dälek at the helm to reaffirm their long-running status with another strong album.
In this Review Round-Up, Author & Punisher and Johnossi tap into darkness through varying styles (and levels of success), while Cold Night For Alligators strive to expand tech-metal, and Home Counties plant their flag in post-punk.
In this Review Round-Up, there’s hardcore on both ends of the quality spectrum from Great American Ghost and Age Of Apocalypse. Also, Helen Love undergo a change in sound for their new album, and Led By Lanterns make an electrifying debut.
In this Review Round-Up, big new albums from Poppy and Sleep Token are outshined by Badflower and Dying Wish, while more new music comes from Wage War, Tremonti, They Fell From The Sky, Frauds, Cherym, Goodbye Honolulu and Cherie Amour.
In this Review Round-Up, the highly-anticipated debut from jxdn arrives, along with new releases from DZ Deathrays and Halflives, plus Lord Of The Lost, Justin Courtney Pierre, Graduating Life and Phobophobes.
In this Review Round-Up, a mixed bag from Gary Numan, St. Vincent and Myles Kennedy leads great albums from Vexed, Kaonashi and Osiah, plus Mannequin Pussy, Tokky Horror, Jess And The Ancient Ones, Fiddlehead and One Morning Left.