Rooted in historical bleakness and some of the most bludgeoning metalcore possible, Half Me’s newest is a satisfyingly savage listen.
Tag: Elliot Burr
Though not quite as full-throttle as the best of their sound, John Coffey’s return still puts in some good work for raucous, purposeful hardcore.
On their debut album, The Klittens’ lo-fi approach to indie-rock and post-punk brims with a charm and creativity to get a good number of eyes on them.
On an album grasping for hope, Emma Ruth Rundle explores gothic gloom and manages to pull out something beautiful.
The derelict, nightmarish, utterly magnetic world of Chat Pile reinvents itself once again, while remaining to source some of the most fascinating noise around.
Jubilantly silly hardcore comprises the newest album from AWOLNATION’s Aaron Bruno and The Barbarians Of California, and it’s all the better for it.
A combination of sludge, doom and traditional folk brings out a uniquely captivating vision in heavy music from Crumbling Ghost.
Away from the horrors of Couch Slut, Amy Rose Mills crafts a stark, striking, unflinchingly experimental solo album.
For the second time this year, Converge drop another palette of beautiful noise and discord, and yet again prove that few can do it quite like them.
Although they’re still in need of an identity of their own, there’s plenty of emo-leaning promise exhibited by divedown on their debut EP.