The intent is there with even a few cool ideas, but Shaam Larein’s attempts at gothic gloom can sometimes fall short of a successful mark.
Tag: Elliot Burr
Frenetic sonic shifts and technical abundance ensure that Blame Kandinsky’s new album is every bit the mathcore treat you could ask for.
Other Half’s sophomore full-length continues down a noise-rock furrow that proves extremely fertile, in no small part for how exciting this still sounds.
High Command explore their own fantastical world on their newest album, and yield some fairly solid crossover thrash as a result.
Richard Dawson’s newest progressive folk opus triples down on its density and conceptual weight, and remains a deeply satisfying experience to dig into.
Mourning’s penchant for French flair stands out among their debut, but the top selling point remains how brutal their hardcore assault is.
The shimmering sounds of grunge and shoegaze are brought out in full force on Soul Blind’s newest album, and the results are as blissful and bracing as you’d expect.
Chelsea Grin push themselves further than ever before on the first installment of their double album, and it makes for a deathcore experiment hitting those celebrated genre heights.
InTechnicolour’s newest album brings together doom riffs, anthemic hooks and swirling romanticism, brimming with depth alongside huge heft.
Mike Patton’s Dead Cross returns with a sophomore album of alt-metal insanity that’s seldom still, but proves all the more magnetic for it.