On a debut built from avant-garde R&B that feels entirely her own, Niecy Blues’ greatest strength comes from her evocative streaks as an artist.
Tag: Elliot Burr
A rip-roaring sound and the swagger of punk’s best colours Spiritual Cramp’s debut, for one hell of a good time.
Although a bit of trimming wouldn’t go amiss, Closure In Moscow’s prog-pop return is still an utterly danceable delight.
Free in genre and its own sense of tone, VIRTA’s new album dips into post-rock and electroacoustic timbres for a real treat.
‘68’s rock ‘n’ roll riot rages on with their new album, as they rip out another collection of electrical jolts with as much fun and frenzy as ever.
The breadth and beauty of Nordic post-rock is on full display on Spurv’s new album, held even higher by its own exploration and decadence.
On their newest mind-bending space-opera of an album, TesseracT once again launch djent into the stratosphere with a towering monolith to their greatness.
Jeff Rosenstock’s newest album comes loaded with the wit, grit and spit of a punk lifer, and the punch that comes by its side.
For a black-metal album that won’t redefine the sound but delivers solidly on its pre-existing tenets, Nixil’s newest album has got you covered.
Another stellar work of emo and post-hardcore comes courtesy of Fiddlehead, who’ve proceeded to condense all previous experience into what might be its best form yet.