Ever the underrated favourites, URNE’s newest sees them continue to grow and flourish with grand, powerful exploration within the depths of metal.
Tag: Elliot Burr
The return of Mutoid Man is exactly as wild and weird as you could hope for, while also being some pretty damn great heavy music in its own right.
Returning with as much noise and untethered creativity as ever, Oxbow’s newest full-length is as fine an addition to their catalogue of volatile delights as ever.
As frayed and frenetic as you like, Snõõper bring together their past works for a hugely worthwhile garage-rock riot.
With a fun, free and freaked-out approach to classic rock, Pigeon Wigs sidestep the pitfalls of revivalism for a strong debut offering.
With some extra electronica added into their shoegaze, bdrmm leap into their sophomore album fully aware of how to ensnare and enrapture.
Adding to the ever-growing cache of weirdo indie-rock and post-punk is Geese’s new album, which might just be good enough to rise fairly close to the top.
On his new album, deep sonic diversity and unflinching, confessional songwriting mark Samuel Nicholson down for indie stardom sooner rather than later.
As they get even more explorative and progressive on this new album, Pupil Slicer test mathcore’s upper limits to the point of shattering them with glorious excess and creativity.
Intense, abyssal and deeply foreboding, Radien’s newest album is exactly what you’d want from a thick, new slice of doom.