In this Review Round-Up, nothing,nowhere., Of Mice & Men and Jetty Bones take their next steps of varying sizes, joined by releases from Epica, Icon For Hire, Timelost, Carpool Tunnel, Evergrey and Sunnata.
In this Review Round-Up, Pale Waves shake up and slowthai courts controversy, among new albums from Normandie, The Hold Steady, MOD SUN, Love And Death, John The Ghost, Humanity’s Last Breath, Wild Pink, Dizzy Bats and Stretch Panic.
Weezer’s latest wacky decision finds them self-cannibalising more than ever, without much of a reason or payoff from doing so.
In this Review Round-Up, You Me At Six return among a lot of indie-rock and indie-punk from Lande Hekt, Beach Bunny, The Sonder Bombs, Kiwi Jr. and The Sad Song Co., as well as new releases from Shame, Holygood and Tamar Aphek.
In the first Review Round-Up of 2021, new releases from Lonely The Brave, The Dirty Nil and a covers EP from The Xcerts kick things off, alongside LICE, Viagra Boys, Passenger, NEED and Wall.
With 2020 coming to a close, we take one last look at the releases that we missed, including Miley Cyrus, Ariana Grande, Bright Eyes, Katy Perry, The Beths, Bloxx and plenty more.
Even on his most complete release to date, Yungblud’s music still places marketability before actual impact.
In this Review Round-Up, big returns from AC/DC and McFly stand against new music from Refused, King 810, Bearings and Dark Tranquillity, as well as Intervals, Bad Nerves, Shygirl, pg.lost and Laura Fell.
In this Review Round-Up, disappointing new albums from Orianthi and L.A. Guns lead, while Helen Love and Newmeds find quality, Superlove and Boundaries display promise, and GHØSTKID and Scarlet flounder.
In this Review Round-Up, a huge crop of releases is filled by big albums from I Don’t Know How But They Found Me, Ghostemane and Black Foxxes, EPs from PUP and Fever 333, a variety of side-projects from Salem, Ashton Irwin and No Life On Earth, and plenty more of everything else from Like Moths To Flames, Sevendust, Happy., Blue October, Leaves’ Eyes, The OBGMs, LÉON and Hector Gannet