In this Review Round-Up, underwhelming fare from The Blue Stones isn’t indicative of what’s elsewhere, as releases from Asylums, Cherie Amour and Sugar Horse all prove strong, with regular brushes with greatness.
Kid Bookie continues to strive to stand out with his brand of rap-rock, and while it has its moments, it’s not as inspired as it ultimately needs to be to feel great.
In their latest attempt to reinvent themselves, Papa Roach settle on clunky, heavy-handed rap-rock with the intent to sound a lot more exciting than it ultimately does.
Just Friends bring out their most impressive selves on every aspect of this new album, a take on pop-rock that’s colourful and diverse while still prioritising the catchiness that ultimately sees them soar.
In this Review Round-Up, Fit For An Autopsy deliver yet another great album—along with a surprise hit from jackie—while new albums from Modern Error and PENGSHUi explore modern sounds with varying degrees of success.
As we come to the end of the year, we take a look at some of the albums we’ve missed in 2021, ft. Adele, Ed Sheeran, Lorde, Andrew W.K., Elton John, Kacey Musgraves, Powerwolf, ZillaKami, and loads more.
In the final Review Round-Up of 2021, the return of Black Label Society and Like Pacific comes alongside the breakout full-length from Kid Bookie, and more from The Browning, No Bragging Rights, Kid Dad and Rising Insane.
In this Review Round-Up, new albums from Mayday Parade and The Darkness lead, Zebrahead try to establish their new era, and more new music comes from Between You & Me, Black Coast, Imminence, Pass Away and ten56..
In this Review Round-Up, big new albums from Poppy and Sleep Token are outshined by Badflower and Dying Wish, while more new music comes from Wage War, Tremonti, They Fell From The Sky, Frauds, Cherym, Goodbye Honolulu and Cherie Amour.
With 2020 coming to a close, we take one last look at the releases that we missed, including Miley Cyrus, Ariana Grande, Bright Eyes, Katy Perry, The Beths, Bloxx and plenty more.