Between a strong debut, a tight, fresh sound and a forward-thinking ethos around music’s social aspect, Only The Poets are primed to step to the forefront of indie-pop.
MØL’s hybrid of black-metal, post-metal and shoegaze continues to push and open its boundaries, with tremendously evocative results.
Trash Boat’s newest EP is marked by a quick, raw burst of some of British alt-rock and punk’s best.
With a breadth of creativity at the fore, Malena Zavala’s newest album is a beguiling, experimental dream-pop treat.
In this Review Round-Up, there’s a bumper crop of releases including a new one from HANABIE., the return of Shields, a serious step up from Sick Joy, and Survivalist who…are also here.
URNE’s streak as one of metal’s most underrated powerhouses continues, with a new album fully capable of turning them into a true force of nature.
For the opening of 2026’s Onomatoposter exhibition, Pulled Apart By Horses bring their garage-rock punch to Birkenhead’s Future Yard.
Megadeth bring their career to a close with their self-titled 17th album, and not a moment too soon.
In a much-needed break from the January gloom, The 502s bring the Floridian sun to Manchester in their sun-kissed indie-folk.
On their debut full-length, everything that previously worked about Softcult’s fusion of shoegaze, grunge and pop remains, only now feeling even more resolute.