With creativity and a metalcore arsenal as devastating as ever, Veil Of Maya’s newest albums sees them continually pushing the scene forward.
Tag: Elliot Burr
Shit Present’s debut melds gutting release with indie-punk bravado and anthemia, and shines all the brighter for it.
Incendiary hardcore collides with good, old-fashioned British sardonicism on The St Pierre Snake Invasion’s newest album, and the resulting product proves routinely excellent.
The Medieval realm forms the basis of Poison Ruïn’s work, and it makes for a biting slice of punk that’s as enrapturing as it gets.
Sunrot’s newest album sees them able to smash through some doom-metal standardness with sheer crushing weight, force and intensity.
It’s not just nostalgia driving Samiam’s latest; there’s still the sharp skate-punk melody and know-how that finds them striking as hard as you like.
At the cross-section of horror, majesty and boundless metal artfulness, Liturgy’s newest manages to strike one hell of a chord.
Ever the mavericks, Periphery’s breaking down of the sound they helped create unlocks something unmistakably bold, wild and wonderful in progressive metal.
With an acerbic lyrical stance and a metalcore sound fond of its grit and grind, .GIFFROMGOD’s newest EP is quite the assault to experience.
Even despite some standout ideas that certainly help, Real Terms’ math-rock perhaps ends up a bit too fractious for its own good.