SPICE make their way into alt-rock excellence on their sophomore album, a heady, crystalline listen with melody at the fore and a beautiful creativity all the way down.
Take a look at what we’ve been listening to throughout April, ft. Motion City Soundtrack, Coldplay, The Used, P!nk, Fickle Friends and—for some reason—Cute Is What We Aim For.
In their thorough, unflinching dissection of the failings of the American system, Proper. craft the sort of immaculate emo album that takes what their genre can do to its highest peaks.
In this Review Round-Up, Bleak Soul return with more melancholy, and Breathe Atlantis offer up another helping of polished metalcore. Plus, we take a look at recent standout releases from Beachheads and Letting Up Despite Great Faults.
Take a look at what we’ve been listening to throughout February in this edition of The Soundboard Stereo, ft. Dave, Fefe Dobson, Jimmy Eat World, Circa Waves, Billy Talent and We Are The In Crowd.
In this Review Round-Up, Bad Omens newest metalcore venture proves less than favourable, alongside exemplary emo from Broken Field Runner, and promising output in pop-punk from downcast and pop from Alfie Neale.
Chris Carrabba looks towards his age and experience for the newest Dashboard Confessional album, where it can work in some places but sink back into the usual saccharine emo experience in most others.
Mom Jeans’ newest album winds up as their leanest, punchiest and most fun to date, even giving a boost to some of the more familiar emo frameworks that persist through their output.
In this Review Round-Up, Dan Andriano impresses with his newest side-project, as do Near Death Condition’s new death metal outing, while sadeyes and InVisions aren’t quite able to match up.
Take a look at what we’ve been listening to throughout January in the newest edition of The Soundboard Stereo, ft. The Blackout, The Weeknd, Death Cab For Cutie, nightlife, Tonight Alive and Digable Planets.