Regardless of whether it’s deathcore, meme-slam or some hybrid of the two, Disfiguring The Goddess’ new album isn’t all that good.
Tag: Luke Nuttall
The Euro-metalcore standard remains in abundance on Future Palace’s new album, but at least they take a decent stab at it.
In this Review Round-Up, new albums from The Hu and Mayday Parade are both fine enough, but Mimi Barks produces a real disappointment.
Finally untethered and with creative energy to burn, Waterparks’ newest is the best they’ve put out in a long while.
Loathe’s long-awaited new album is a difficult and occasionally frustrating listen, but one that gets more brilliant with each additional spin.
2000trees 2026 continues with a storming headline set from Funeral For A Friend, plus the return of Arcane Roots, and plenty from Militarie Gun, The Wildhearts, House Of Protection, The Scratch and more.
On an album fuelled by genuine tragedy and allowed to soar as much as demolish, Boundaries once again feel among the upper echelons of modern metalcore.
Although Motionless In White’s industrialised metalcore has undergone little in the way of enhancement, it still yields a supremely fun time.
In trying to rejuvenate their pop-rock sound of old, As It Is’ efforts run between some pretty good cuts, and a tepidity that they’re miles past by now.
In changing course and going back to the earnest Britrock that saw them excel in the first place, The Xcerts’ new album is the most undeniable return to form there is.