In the final Review Round-Up of 2022, we take a look at metal successes in recent EPs from The Last Ten Seconds Of Life and Circles, as well as Letters Sent Home’s new EP that falls drastically short of that.
Tag: Review Round-Up
In this Review Round-Up, Our Mirage stand as the weak link with disappointingly pedestrian metalcore, compared to how refreshed Liotta Seoul and borts are in grunge and alt-punk respectively.
In this Review Round-Up, Borders’ rap-metalcore and Doodseskader’s intimidating noise impress on the heavier front, broken up by a brief (but no less strong) post-punk intermission from Deadletter.
In this Review Round-Up, Clean Cut Kid and Young Culture prove decent (but little more) in indie-folk and pop-rock respectively, while Pryti’s new album struggles to catch much fire.
In this Review Round-Up, Dayseeker offer up some great metalcore on their newest album, alongside some promising alt-punk from Sunliner, and a generally middling effort from BRKN LOVE.
In this Review Round-Up, underwhelming fare from The Blue Stones isn’t indicative of what’s elsewhere, as releases from Asylums, Cherie Amour and Sugar Horse all prove strong, with regular brushes with greatness.
In this Review Round-Up, a couple of highly-anticipated returns from Brutus and All Ears Avow produce expectedly great work, plus some very promising new emo from Jetski.
In this Review Round-Up, great debut full-lengths come from Witch Fever and San Lorenz, while Exist Immortal keep the quality high with their new album.
In this Review Round-Up, new albums from The Early November and Field Medic put in some decent work overall, but are unable to stand up to the excellence of Birds In Row.
In this Review Round-Up, Bush return with a significant jump in quality, while plenty of diverse, explorative sounds come from Charlotte Wessels and My Kid Brother.