It couldn’t get any more intimate for Yonaka than performing an acoustic set at the Jacaranda Baltic. It’s the debut of their new album Until You’re Satisfied, where the band get all personal with delving into themes of hate, loss, love, and beauty. Making it known that the album is not only a narrative letter to themselves but also to the fans, as it is an expression of romanticism, self-discovery, and lyrical connotations that they (the audience) can relate to in their own personal lives, feeling connected and the idea that it is written for them. During the show, vocalist Theresa Jarvis passionately exclaimed, “This one is for you, and thank you so fucking much.”
The performance started off with the song Problems, where the acoustics of the venue set the perfect atmosphere for allowing Jarvis’ vocals and presence to be front and centre. A soft, glowing, and diffused spotlight shone on the band, allowing them to be the main focal point—almost tranquil, romantic, and vulnerable in a sense. Problems was a song that showcased Jarvis’ vocal ability of going from angelic vocals, delicate and soft like a feather, to then a more edgy, confident, and poised tone.
Before the song Do It For You, Jarvis interacted with the audience, saying she’d worn red just for us, expressing that the band loves the song and hopes we do too. It was also a song that made a highlight of the night. The soft lighting and vocals gave Jarvis an ethereal quality, depicting a sense of emotional resonance and inviting the audience into an intimate and unfiltered moment. It delved into themes of devotion, nostalgia, and the struggles of self-sacrifice and love, thus, adding depth and dimension to the acoustic set.
The band decided to switch things up, as they played some older songs like Ordinary. It gave a different shade and tone to the night, portraying a rich and commanding soundscape. Try, which makes for the last song on the record is aa guitar-heavy track had moments where the instruments could truly shine. Even though it was a stripped-back show, guitarist George Edwards and bassist Alex Crosby were still able to showcase their abilities. You could tell throughout the performance that they were also just as passionate, at times singing to themselves or showing it through their body language as they performed.
Hit Me When I’m Sore was another favourite, as it makes for a confrontational and honest tone. Hearing it in an acoustic setting, you could sense the raw feelings that Jarvis showed when singing. It almost feels like you’re looking at a deeply resonating and therapeutic journal entry come to life.
The set ended with the song Trouble Follows, with its groovy-sounding intro. This was also the opportunity where the crowd eagerly joined in with the chorus, showing a mutual passion and appreciation. For the last chorus, Jarvis even allowed the audience to take over, singing in perfect harmony, creating a magical and personal moment that left Jarvis visibly moved and in awe.
As I’ve mentioned, Yonaka has embarked on a rollercoaster journey of discovery. They finally have the confidence and intention to embrace their sound and find maturity in it. I have a good feeling that this year will be Yonaka’s year, so watch this space.
Words by Zena Morris
