A combination of R&B, folk and psychedelia makes for an impressively lush and layered debut EP from Dwen.
Richard Dawson’s newest progressive folk opus triples down on its density and conceptual weight, and remains a deeply satisfying experience to dig into.
In this Review Round-Up, Clean Cut Kid and Young Culture prove decent (but little more) in indie-folk and pop-rock respectively, while Pryti’s new album struggles to catch much fire.
In this Review Round-Up, new albums from The Early November and Field Medic put in some decent work overall, but are unable to stand up to the excellence of Birds In Row.
In this Review Round-Up, a collection of EPs are headed off by a lacklustre outing from The Lunar Year, and filled out by promising singer-songwriters Donkey Kid and Léa Sen.
Jamie Webster builds on his huge success with his second album, improving with sharper writing but still falling prey to some of the typical singer-songwriter trappings.
As we come to the end of the year, we take a look at some of the albums we’ve missed in 2021, ft. Adele, Ed Sheeran, Lorde, Andrew W.K., Elton John, Kacey Musgraves, Powerwolf, ZillaKami, and loads more.
In this Review Round-Up, MØL, Boston Manor and SeeYouSpaceCowboy bring great work that offsets Black Veil Brides and Bad Wolves, while more new music comes from Emma Ruth Rundle, Diablo Swing Orchestra and Greer.
In this Review Round-Up, big albums from Frank Carter & The Rattlesnakes, Sam Fender and a great solo debut from Ian Miles stand against new releases from We Are Scientists, Twelve Foot Ninja, Defences, Bound In Fear and Sleep Outside.
In this Review Round-Up, Trash Boat and Press To MECO deliver some of the best of the year with Deafheaven and Between The Buried And Me not far behind, while Meet Me @ The Altar hit their heights among Strange Bones, LiL Lotus, Switchfoot, Luke Hemmings, Villagers, Afterlife and Insurgent.